A Tribute to Maggie Smith: A Legacy of Brilliance on Stage and Screen

 

In the pantheon of great British actors, few names command the reverence that Dame Maggie Smith does. A career spanning over seven decades, Maggie Smith has become synonymous with depth, versatility, and an unparalleled commitment to her craft. Whether portraying a sharp-tongued Dowager Countess or embodying a Shakespearean heroine, Smith has captured the hearts of audiences worldwide with her remarkable talent.

 
A Star is Born

Born Margaret Natalie Smith on December 28, 1934, in Ilford, Essex, Maggie Smith was destined for greatness. Her love for the stage emerged early, leading her to the Oxford Playhouse at just 17. By the 1950s, she was already captivating audiences, making her Broadway debut in New Faces of 1956. It was clear even then that her brilliance would not be confined to the stage.

 
Commanding the Stage

Smith’s mastery of the stage is a testament to her profound understanding of character and dialogue. She became a standout performer at the National Theatre under Laurence Olivier’s direction, where she left an indelible mark with her performances in productions like The Importance of Being Earnest, Hedda Gabler, and The Prime of Miss Jean Brodie. The latter, a defining role, earned her her first Academy Award in 1969 for Best Actress.

Her ability to balance vulnerability with strength, humor with tragedy, has made her a beloved figure in both classical and contemporary theater. Smith’s performances in Shakespearean works such as Othello and Much Ado About Nothing demonstrated her extraordinary range, while her turn in Alan Bennett’s The Lady in the Van further solidified her standing as one of the most versatile actors of her generation.

 
A Screen Legend

While her stage work is legendary, Maggie Smith’s film career has made her a household name. She is perhaps best known to contemporary audiences as Professor Minerva McGonagall in the Harry Potter series. Yet, her resume is filled with a dazzling array of roles that speak to her incredible range—from comedies to dramas, period pieces to modern classics.

Her portrayal of the Dowager Countess of Grantham in Downton Abbey remains one of the most iconic roles of her career. With her sharp wit, biting sarcasm, and impeccable timing, Smith made the character a global sensation, earning three Emmys and a renewed wave of admiration from critics and fans alike.

 
A Career of Accolades

Throughout her illustrious career, Maggie Smith has garnered numerous awards and honors. Beyond her two Academy Awards, she has received seven BAFTAs, four Primetime Emmys, a Tony Award, and a Screen Actors Guild Award. She was made a Dame Commander of the Order of the British Empire (DBE) in 1990, a fitting tribute to a woman who has given so much to the world of performance.

 
A Lasting Legacy

At the heart of Maggie Smith’s enduring appeal is her remarkable ability to bring characters to life with nuance, precision, and grace. Whether portraying aristocrats or schoolteachers, Shakespearean heroines or modern-day eccentrics, Smith imbues each role with humanity, depth, and wit.

Her influence on generations of actors cannot be overstated. From her work with the National Theatre to her scene-stealing turns in Downton Abbey, she has set a standard for excellence that few can match. For aspiring performers, she remains an enduring inspiration, proof that dedication to craft, a passion for storytelling, and a refusal to be typecast can lead to greatness.

As Maggie Smith continues to grace both stage and screen, audiences around the world can be thankful for the indelible mark she has left on the arts. Her legacy is one of brilliance, humor, and unyielding commitment to her craft—qualities that will continue to inspire and captivate for generations to come.

Dame Maggie Smith is more than an actress; she is an institution. From her early days on stage to her commanding presence on the big screen, she has gifted the world with performances that transcend time and genre. It is no wonder that she is beloved by so many, a living legend whose contributions to theater and cinema will be cherished forever.

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Make A Wish Film Festival's Official Selection: Philip Brown, Producer discusses "The Socialists of Shoe City"

Hi Philip, based on your Political science studies, how have these studies influenced your work and your mission?

My background in Political Science and Public History has profoundly influenced my work and overall mission. It has helped me frame stories through the lens of power dynamics, societal structures, and social movements. In particular, I’ve been drawn to narratives where ordinary people confront systems of inequality—something deeply rooted in political theory. Studying political movements, especially the intersection of labor and socialism, has shaped my desire to explore these themes in my films. I want to highlight the importance of activism and public policy in shaping both past and present societies, and how historical struggles inform our contemporary challenges.

 

Have you always been passionate about films?

Yes, I’ve always had a passion for films, but my journey into filmmaking came later in life. While I originally focused on academia and writing, I found that film offered a unique and powerful way to tell complex stories, especially historical and political ones. The visual medium allows for a deeper emotional connection with the audience, which is especially important when covering topics like social justice and labor movements. My passion now lies in using film to make history accessible and engaging to a broader audience.

 

We know you have a short film documentary called “The Socialists of Shoe City” which has been officially selected at the Make A Wish Film Festival. Can you speak further about this project? How has this idea come to your mind?

“The Socialists of Shoe City” was inspired by Haverhill’s largely forgotten role as a hotbed of socialist activism in the early 20th century. Haverhill had a unique and significant labor movement, and it struck me that this rich history wasn’t being talked about or celebrated. The idea came from a combination of my academic background in political science and a desire to bring local history to light. I wanted to showcase how the city's shoe workers, led by figures like James F. Carey and John C. Chase, were part of a broader, national push for workers' rights and social reform. The documentary brings visibility to their contributions, which still resonate with today's discussions about labor and economic justice.

 

Who are James F. Carey and John C. Chase?

James F. Carey and John C. Chase were two prominent socialist figures in Haverhill’s political history. Carey was a member of the Massachusetts House of Representatives and a committed socialist who advocated for workers’ rights and equality. He was part of the political shift in Haverhill that saw the rise of socialism during the Progressive Era. John C. Chase was another key figure, becoming the first elected socialist mayor in the U.S., right in Haverhill. Both men were pioneers in promoting labor reforms and standing against the exploitation of workers. Their legacies remind us how local activism can have national and even global impact.

 

As you have been officially selected at the Make A Wish Film Festival, have you also attended any other film festivals?

Yes, “The Socialists of Shoe City” has been screened and selected at several film festivals beyond the Make A Wish Film Festival. It has received laurels at a few other festivals, and I’ve entered it into around 50 more this year. Each festival has been a unique opportunity to engage with audiences, share the history of Haverhill’s socialist movement, and connect with other filmmakers and activists. The reception has been wonderful so far, and I’m excited to continue sharing this important story.

The festival's winners will be announced online on September 30th for the following categories: Best Short Film, Best Director, Best Actor/Actress, Best Photography, Best Sound, and Best Screenplay.

Follow all the latest Make A Wish Film Festival updates on social media.

 

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Make A Wish Film Festival: Interview with juror Giulio Amendolagine

 

Giulio, as a young Italian guy in a different country like the UK, what moved you to move there? and what was your experience studying Film studies abroad at your University?

I always had the drive to move to a different country. I felt that at the time the Italian film industry had become stagnant. Moreover, I found that the education opportunities to become a filmmaker were relatively scarce in Italy. For these reasons I decided to move to the UK where open mindedness is at the base of education and work opportunities. My experience was great, I struggled but probably for the best. I was extremely motivated by my peers and their dreams, so much It gave me incredible self confidence in my own skills.

 
We know that the more you study, the more you improve and specialise in your field. How do you describe your experience at Metfilm in one word and why?

I’d describe my experience at MetFilm as professional. Only by finishing that Master’s degree I could feel the confidence to put myself out there and start selling myself as a Dop.

 
How do you approach the work on a script as a DOP?

When I work on a script I find necessary to understand as many “whys” as possible. I love helping the director to dissect the intentions of the story and find patterns in it. Only like that the cinematographer can shape the visual language of the film finding the rules and unique vision to apply to the film.

 
What is the work you are most proud of and why?

My proudest work is definitely “Just One Last Thing”. It’s the first feature film I’ve worked on as a Cinematographer. It was the first project I worked on for more than three months and it required extreme dedication, consistency and hard work. I was able to adopt my method of working on a larger scale film and was rewarded with something I’m extremely proud of. The film is now winning awards all over the Festival circuit and hopefully will get the distribution it deserves.

 
Now, as you are a juror, what moved you to be a part of the Make A Wish Film Festival?

I believe that as a filmmaker you have to constantly watch and learn from other people’s work. At the end of the day we all started loving films by being spectators, so refining the skill that allows you to find what you like and why is crucial to grow. For this reason I decided to take on the challenge of being a juror.

 
As you are evaluating the projects, what are the aspects that make a project stand out according to you? and even a Director of Photography?

I believe that what stands out for me in a project is consistency, awareness of the array of tools that can be used to tell that story and choosing the right one. As a director of photography the other things that are extremely important are mood and the sense of place. The budget used to make the film doesn’t matter, as a matter of fact restrictions can lead to intuitive creative choices unique to a project.

The festival's winners will be announced online on September 30th for the following categories: Best Short Film, Best Director, Best Actor/Actress, Best Photography, Best Sound, and Best Screenplay.

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Batman Gets His Own Star on the Hollywood Walk of Fame: A Hero’s Journey Through Cinema and Pop Culture

For more than eight decades, Batman has stood as one of the most iconic superheroes in popular culture. Whether fighting crime in the streets of Gotham City or appearing on the big screen, the Caped Crusader’s influence spans generations, mediums, and even cultures. Now, Batman’s legacy is being honored in Hollywood’s most prestigious fashion—by receiving his own star on the Hollywood Walk of Fame.

The star, located at 6764 Hollywood Boulevard, sits in front of the Guinness World Records Museum, placing the Dark Knight alongside some of the most legendary figures in entertainment history. Fans and tourists alike can visit this spot to celebrate the hero who has inspired countless stories, films, and shows, standing as a reminder of Batman’s indelible mark on pop culture. The ceremony will take place at 11 AM (PT), bringing together fans from all walks of life to witness this monumental event.

Let’s take a look at Batman’s journey from comic book origins to Hollywood stardom, including the many actors who have donned the cape and cowl, the films that defined his legacy, and the impact he continues to have on fans around the world.

 

The Origin of Batman: From Page to Screen

Created by Bob Kane and Bill Finger, Batman made his debut in Detective Comics #27 in 1939. Unlike most superheroes at the time, Batman was unique—he had no superpowers. Instead, he relied on his intellect, physical prowess, and an array of gadgets to fight crime. Batman was a vigilante, haunted by the murder of his parents and dedicated to bringing justice to the corrupt, crime-ridden streets of Gotham City.

While Batman’s first home was the pages of comic books, it didn’t take long for him to leap into other media. His first live-action appearance came in a 15-chapter serial film in 1943, with actor Lewis Wilson portraying the Dark Knight. However, it wasn’t until decades later that Batman truly became a global phenomenon.

 

The 1960s: Camp and Cult Status

In 1966, Adam West brought Batman to life on television with the campy, colorful "Batman" TV series, which ran for three seasons and became a cultural sensation. Unlike the darker tones of the comics, this version of Batman leaned into humor and over-the-top theatrics, with West’s deadpan delivery and a rogues' gallery of memorable villains. The series’ success led to a feature film, cementing Batman’s status in popular culture, even if it wasn’t quite the brooding figure fans know today.

Adam West’s portrayal remains beloved by many, but it wouldn’t be until the late 1980s that Batman would become the dark and mysterious figure we now associate with Gotham’s protector.

 

Tim Burton’s Vision: Batman Goes Dark

In 1989, director Tim Burton redefined Batman for a new generation with his blockbuster film "Batman." Starring Michael Keaton as Bruce Wayne/Batman and Jack Nicholson as the Joker, this film brought a darker, more gothic interpretation of the character, setting the tone for future Batman films. Keaton’s Batman was stoic and intense, and Burton’s film marked the first time Batman was seen as a truly serious hero on the big screen. The film’s massive success proved that superhero films could be serious, artistic, and profitable.

Burton followed up with "Batman Returns" (1992), a darker and more complex sequel that continued to build Batman’s mythos with new villains like Catwoman (played by Michelle Pfeiffer) and the Penguin (played by Danny DeVito).

 

The Schumacher Era: A Return to Camp

After Burton stepped away from the director’s chair, Joel Schumacher took over the Batman franchise with a different vision. "Batman Forever" (1995), starring Val Kilmer as Batman and Jim Carrey as the Riddler, was a more colorful and lighthearted film, blending Burton’s darkness with the campy tone of the 1960s TV series. While commercially successful, Schumacher’s next film, "Batman & Robin" (1997), with George Clooney as Batman, was critically panned for its cartoonish tone and over-the-top style. The film nearly ended Batman’s film career, and it would take almost a decade for the character to recover.

 

Christopher Nolan’s Trilogy: The Dark Knight Rises

Batman was reborn in 2005 with Christopher Nolan’s gritty, realistic approach in "Batman Begins." With Christian Bale playing Bruce Wayne/Batman, the film explored Batman’s origins in depth, from his training with the League of Shadows to his transformation into Gotham’s vigilante protector. Nolan’s vision was grounded in realism, focusing on the psychological trauma that drives Bruce Wayne.

The sequel, "The Dark Knight" (2008), is widely regarded as one of the greatest superhero films ever made. Heath Ledger’s portrayal of the Joker earned him a posthumous Academy Award, and the film’s exploration of chaos, morality, and heroism elevated it beyond the typical superhero movie. It became a cultural phenomenon, grossing over $1 billion worldwide.

Nolan concluded his trilogy with "The Dark Knight Rises" (2012), bringing an epic, emotionally charged end to Bale’s portrayal of Batman. The trilogy’s success not only cemented Batman’s place in cinematic history but also set a new standard for superhero films.

 

Ben Affleck and Robert Pattinson: New Generations of Batman

In 2016, Batman was reintroduced in Zack Snyder’s DC Extended Universe (DCEU) with Ben Affleck taking on the role in "Batman v Superman: Dawn of Justice." Affleck’s Batman was older, battle-worn, and deeply cynical, marking a significant departure from previous portrayals. He reprised the role in "Justice League" (2017), where he fought alongside Superman, Wonder Woman, and other DC heroes. Affleck’s version of Batman received mixed reactions, with some praising his intensity and others finding the characterization too bleak.

Most recently, Batman was reimagined once again in Matt Reeves’ "The Batman" (2022), with Robert Pattinson stepping into the cape and cowl. This version of Batman is younger, more vulnerable, and deeply noir-inspired, focusing on his detective skills as much as his physical abilities. The film was praised for its gritty realism, atmospheric tone, and fresh take on the character.

 

Batman’s Legacy: More Than Just a Superhero

Over the years, Batman has evolved from a comic book vigilante to a cultural icon. His story transcends genres—part detective, part action hero, part tortured soul. Batman represents the struggle between good and evil, the fine line between justice and vengeance, and the perseverance of the human spirit. His supporting cast, including Alfred, Robin, and Commissioner Gordon, and his extensive rogues’ gallery of villains, such as the Joker, Two-Face, and Scarecrow, have also become staples in the world of comics and cinema.

From video games like the Arkham series to animated shows like "Batman: The Animated Series", the character’s influence on entertainment is undeniable. He’s inspired countless creators, fans, and even other superheroes. Batman’s symbol has come to represent not just a hero, but an ideal—that with determination, anyone can stand up to the darkness.

 

Batman on the Walk of Fame

As Batman receives his star on the Hollywood Walk of Fame at 6764 Hollywood Boulevard, it’s not just a celebration of a superhero—it’s a recognition of 80+ years of storytelling, imagination, and cultural impact. From Adam West’s campy capers to Christian Bale’s gritty realism, and now with Robert Pattinson’s noir detective, Batman’s legacy continues to evolve and inspire.

For fans, this star represents more than just a Hollywood accolade—it’s a tribute to a character who has fought for justice, faced down villains, and never backed down in the face of adversity. Batman’s journey from Gotham to Hollywood is complete, and his star will shine alongside the legends of cinema, just as his symbol lights up Gotham’s sky.

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Prime Video - LOL: Chi ride è fuori, I protagonisti della quinta stagione

Prime Video ci ha svelato i nomi dei protagonisti della quinta stagione di LOL: Chi ride è fuori, il comedy show Original dei record prodotto in Italia. Federico Basso, Enrico Brignano, Flora Canto, Tommy Cassi, Raul Cremona, Geppi Cucciari, Valeria Graci, Andrea Pisani, Marta Zoboli si sfideranno a rimanere seri per sei ore consecutive provando, contemporaneamente, a far ridere i loro avversari, per aggiudicarsi un premio finale di 100.000 euro a favore di un ente benefico scelto da chi vincerà. Si unirà al cast anche quest’anno un aspirante comico, vincitore della seconda stagione dello show Original LOL Talent Show: Chi fa ridere è dentro. Ad osservare l’esilarante gara comica dalla control room nelle vesti di arbitri e conduttori, due nuovi host d’eccezione: Alessandro Siani e Angelo Pintus.

La nuova stagione del comedy show in 6 episodi è prodotta da Endemol Shine Italy per Amazon MGM Studios e sarà disponibile su Prime Video in oltre 240 Paesi e territori nel mondo nel 2025.

Dopo lo straordinario successo delle prime quattro stagioni, LOL: Chi ride è fuori torna per una nuova sorprendente stagione con l’esilarante sfida a colpi di battute fra i dieci professionisti della risata impegnati nel tentativo di strappare un sorriso agli altri partecipanti senza mai cedere alla comicità degli avversari, in una battaglia di sketch senza esclusione di colpi che mostra diversi stili comici: dalla stand-up, all’improvvisazione, fino alla commedia fisica e a tanto altro.

Alla prima risata di uno dei partecipanti, dalla control room scatterà un cartellino giallo di ammonizione, seguito alla successiva dal temuto cartellino rosso di espulsione dal gioco. L’ultimo sfidante che riuscirà a resistere rimanendo serio per tutte le sei ore di gioco sarà il vincitore, e potrà donare 100.000 euro a un ente benefico di sua scelta.

Anche in questa stagione il decimo sfidante nell’arena di LOL: Chi ride è fuori sarà uno fra i comici professionisti e amatoriali che si esibiranno davanti a una giuria d’eccezione nella seconda stagione di LOL Talent Show: Chi fa ridere è dentro. Elio e Katia Follesa, tra i protagonisti più amati delle passate edizioni di LOL, torneranno a vestire i panni di giurati e a loro si unirà Lillo Petrolo. Mentre Mago Forest, anche lui veterano del comedy show, accompagnerà i giudici alla ricerca del prossimo concorrente di LOL.

LOL: Chi ride è fuori è un adattamento del popolare show giapponese Original, HITOSHI MATSUMOTO Presents Documental, prodotto e interpretato da Hitoshi Matsumoto. Un format replicato con grande successo su Prime Video in quindici Paesi nel mondo, inclusi Messico, Australia, Germania, Francia, Spagna, Paesi Bassi, Svezia, Nigeria, India, Canada, Argentina, Colombia e Brasile, oltre alla versione giapponese e a quella italiana. Le prime quattro stagioni di LOL: Chi ride è fuori sono disponibili in esclusiva su Prime Video.

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Make A Wish Film Festival: Interview with juror Best Tangwongsiri

 

Best, we know you are a terrific artist and we can see you have trained in UK for Acting, and scenography, however, you have experienced also the role of a producer, writer, and director. In which expertise do you identify the most? and why?

I would say acting. Because I spent the most time doing it. While I have experience producing, writing and directing, I never acquire a degree specifically for them. Don’t get me wrong, field experience is extremely important, but sometimes a textbook way of doing this is also important for the foundation of your work.

Moreover, you have worked as an art director, can you specify how that would work?

Well, just like any other jobs, you will get the script to read. You’d do your homework, what you think would add value to the film or play and how you can tell a story through art. Then you will have a chat with the director to settle ideas. After that, you will have to bring that idea to life! Budget is very important. It is something to take into account during pre production. It is always a fun challenge.

At the same time, as an acting coach, how do you approach the methods with theories with your students?

Since I am an actor, I know how each of my students would feel. I try my best to use what I learn from my teacher at drama school. She is a role model for me, as a teacher. The most important thing for me is to make sure that I create a safe space for students to work in and to make sure that they will have fun. As per theories and techniques, I keep myself busy by going to classes, to gather and update my library to make sure that I can help my students to become better actors.

 
What is the work you are most proud of and why?

I would say the work I did with my team for Thailand’s NACC on a project called Creative Drama Anti Corruption Workshop: “Youth against Corruption”, where I get to play many roles from acting teacher, producer, writer, director and actor throughout the project. It is not something famous or blockbuster level but I truly cherish the experience I have.

Now, as you are a jury member what moved you to be a part of the Make A Wish Film Festival, and what do you think about the representation you give to your community too?

I always love to be a part of something that would allow people to be seen. This one is no different. It gives people that opportunity! And I do hope that Make A Wish Film Festival can act as a springboard for many of our entries. Being a South East Asian, we don't excel in the film industry as many Western or other parts of Asia. So, I hope this will encourage my community to make more meaningful and excellent films.

As you are evaluating the projects, what are the aspects that make a project stand out according to you?

Film narrative and storytelling. I think this is the first key to a successful project. The story needs to have a reason to be told! It needs to and I quote Michael Chekhov here “Will what we are presenting have any positive value for them [spectators] as human beings?” It is easy to make a film, but it is very hard to make something meaningful, something worth watching, something that will give a positive impact as a result of watching it.

What do you wish for these projects you are evaluating?

I hope that they will learn and make even better films. There’s no limit to how good a film can be, so there’s always room for improvement. They should go further than they once were.

The festival's winners will be announced online on September 30th for the following categories: Best Short Film, Best Director, Best Actor/Actress, Best Photography, Best Sound, and Best Screenplay.

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Prime Video: Killer Heat coming soon on 26 September

 

Killer Heat, a thrilling, contemporary mystery in classic noir style. The movie follows private eye Nick Bali (Joseph Gordon-Levitt), an American expat in Greece, hired to investigate the supposed accidental death of young shipping magnate Leo Vardakis (Richard Madden) on the island of Crete. The victim’s sister-in-law (Shailene Woodley) doesn’t believe the official police report. But what exactly happened to Leo, and why?

Killer Heat arrives on Prime Video on 26 September.
Directed by Philippe Lacôte, written by Roberto Bentivegna and Matt Charman. Based on Jo Nesbø's short story "The Jealousy Man"

The Killer Heat's cast:

Joseph Gordon-Levitt as Nick Bali

Shailene Woodley as Penelope Vardakis

Richard Madden as Leo Vardakis / Elias Vardakis

Clare Holman as Audrey

Babou Ceesay as Georges Mensah

Abbey Lee as Monique

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LOL 5: L’attesa per la quinta stagione del fenomeno comico italiano

 

Il ritorno di LOL - Chi ride è fuori, lo show comico più amato in Italia, è ormai alle porte con la sua attesissima quinta stagione. Il format, ispirato dall'originale giapponese e portato su Amazon Prime Video, continua a conquistare il pubblico con la sua formula vincente: un gruppo di comici famosi chiusi per sei ore in una stanza, con l’obiettivo di far ridere gli altri senza però ridere a loro volta.

Cosa aspettarsi dalla quinta stagione?

Se c’è una cosa che LOL ci ha insegnato in queste quattro stagioni precedenti, è che ogni anno porta con sé nuove sfide e sorprese. La formula base rimane invariata, ma i partecipanti cambiano, e con loro anche il tipo di comicità. Nelle passate edizioni abbiamo visto una grande varietà di stili, da quelli più surreali e assurdi (pensiamo a Lillo e Caterina Guzzanti) a una comicità più fisica e immediata.

I dettagli sul cast della quinta stagione sono ancora top secret, ma ci sono già alcune voci di corridoio che circolano. È probabile che assisteremo a una combinazione di volti nuovi e veterani della scena comica italiana, mantenendo così un giusto equilibrio tra novità e tradizione.

I nuovi conduttori: Pintus e Siani

Una grande novità di questa stagione è il cambio alla conduzione. Dopo quattro stagioni con Fedez al timone, la quinta vedrà due nuovi volti noti della comicità italiana al comando: Angelo Pintus e Alessandro Siani. Entrambi amatissimi dal pubblico, porteranno senza dubbio una ventata di freschezza allo show.

Pintus, con il suo stile energico e la sua capacità di imitare e improvvisare, è già una figura popolare all'interno del panorama comico italiano, e il suo humor irriverente sarà perfetto per un programma come LOL. Siani, noto per il suo umorismo napoletano e la sua ironia sottile, aggiungerà una nota di eleganza e calore meridionale alla conduzione. La loro chimica sarà cruciale per mantenere alta la tensione comica e accompagnare gli spettatori attraverso i momenti più esilaranti del gioco.

Il successo di LOL: perché piace così tanto?

Parte del fascino di LOL - Chi ride è fuori risiede nel contrasto tra la semplicità del format e la complessità del controllo emotivo richiesto ai partecipanti. Ridere è una reazione naturale, soprattutto in presenza di talenti comici esperti. Guardare professionisti del divertimento che cercano di rimanere seri di fronte a situazioni esilaranti crea una tensione che cattura l'attenzione del pubblico, facendolo immedesimare nel gioco.

Oltre a questo, il programma offre una vetrina unica per i comici italiani, permettendo loro di esplorare lati diversi del proprio talento. Spesso vediamo i partecipanti uscire dalla loro zona di comfort, sperimentando nuovi tipi di battute e sketch, il che aggiunge un ulteriore livello di imprevedibilità allo show.

Ospiti speciali e sketch inaspettati

Come da tradizione, anche quest’anno non mancheranno ospiti speciali e sorprese che renderanno la competizione ancora più difficile per i comici in gara. Negli scorsi anni, i "disturbatori" hanno avuto il compito di mettere in difficoltà i concorrenti con sketch improvvisati, e questa stagione potrebbe riservare sorprese ancora più originali. Chissà quali altri volti noti entreranno nella stanza per cercare di far crollare i concorrenti con risate inaspettate.

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©2024 The Hidden Review

Make A Wish Film Festival: Interview with juror Nathan Mann

 

Nathan, how did you identify yourself as a writer? Who inspires you the most?

I like to write things that make people laugh, cry and think. I like stories that are rooted in humanity and common themes that everyone in life will experience in one form or another, whether that be relationships, passions and other coming–of-age experiences.

I am inspired by writers including Matthew Graham, Ashley Pharoah, Cathy Crabb, Tom Davis, Jed Mercurio and Russell T Davies. All of those have brilliant storytelling abilities, creating clear, engaging shows which are impossible to stop watching once you have begun.

 
Moreover, you graduated from The Royal Central School of Speech and Drama, such a huge drama school worldwide, how was your experience there and what did you discover about yourself after that?

I found my time there insightful and useful. I had only ever really written musicals before joining Central, and the Writing for Performance degree greatly helped me expand my skill set, and I gained new experiences writing for different mediums, including children's theatre, immersive theatre and solo performance. Due to having to complete some of the degree during the height of the Covid-19 pandemic, I also learned much about how to tailor and adapt my creative practice to new mediums (such as digital theatre) and how I can write about these experiences in engaging, reflective ways.

 
At the same time, you have worked on unscripted television, how did you approach that through your writing?

My work in unscripted television inspired my writing massively. I was inspired whilst working in that industry to write an autism sci-fi dramedy where the autistic protagonist is working as a development researcher in that industry. I have gained great feedback for the pilot script and treatment, and I am continuing to develop it.

 
What is the work you are most proud of and why?

I would say there are two projects I am most proud of in their own ways.

The first one would be my jukebox musical that I wrote and directed at college. I used my love of Adele’s music to write a jukebox musical about my autistic experiences. Collaborating on this with other students helped me gain the friendships I had been longing for since I became a teenager. I got Goosebumps when writing, making me realise this was my passion. Those feelings have remained since.

The second one would be my current project: the aforementioned sci-fi tv series. Due to my long-suspected (and recently diagnosed) ADHD, I was always worried I wouldn’t have the mental energy to sustain a tv project that requires constant excellence and relentless drive for a sustained period of time. However, despite all the challenges that my brain can give me, I keep both sustaining my passion for this show, and having the enthusiasm to make it better. I am really optimistic for where it can go in the future.

 
Now, as you are a jury member what moved you to be a part of the Make A Wish Film Festival, and what kind of representation do you give to the community too?

I have long respected Al Fenderico’s work and enthusiasm for the company he has worked so wonderfully to build. Festivals like this are so important to discover new writers (especially those from under-privileged and minority backgrounds), As a gay, autistic working-class writer, I have been thrilled to judge the scripts and hopefully give positive representation to the groups I am part of, showing that I am proud of my intersectionality.

 
As you are evaluating the projects, what are the aspects that make a project stand out according to you?

Something that is unique, daring and relatable. For example, I have always had a belief that the best sci-fi scripts are ironically the ones that feel the most real. By that, I mean ones that can still create and explore somewhat wacky worlds but involve characters being pushed and having to make important, relatable decisions for the advancement of their desires. Life on Mars (and its sequel Ashes to Ashes) were brilliant examples of this. Here you have present-day police officers seemingly being plunged back in time, but through that they visit members of their families, learn about the very non-PC, often discriminatory worlds of the 1970s and 80s worlds they are in, while also still trying to solve crimes and protect the innocent. The world may be barely believable, but the characters' emotions and actions are so real.

 
What do you wish for these projects you are evaluating?

Something that grips me from beginning to end.

The festival's winners will be announced online on September 30th for the following categories: Best Short Film, Best Director, Best Actor/Actress, Best Photography, Best Sound, and Best Screenplay.

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©2024 The Hidden Review

Napoli Film Festival 2024: apre "Maria Montessori" con Jasmine Trinca

 

“Maria Montessori - La Nouvelle Femme” di Léa Todorov con protagonista Jasmine Trinca sarà il film d’apertura martedì 24 settembre alle ore 20.30 della venticinquesima edizione del Napoli Film Festival diretto da Mario Violini e organizzato da WooW e l’Istituto Francese di Napoli, si svolgerà dal fino al 28 settembre all’Istituto Francese di Napoli (via Crispi, 86).

L’opera, nelle sale dal 26 settembre con Wanted, vede la pluripremiata attrice (che interverrà con un video saluto) nel ruolo della pedagogista di origine marchigiane che ha rivoluzionato con il suo metodo l’educazione e l’approccio all’infanzia.

Nella giornata inaugurale del festival verrà proiettato alle ore 18.30 “Glabal Harmony” di Fabio Massa, che sarà presente insala, in concorso nella sezione Nuovo Cinema Italia insieme a “Desirè” di Mario Vezza (25 settembre), “Tre regole infallibili” di Marco Gianfreda (26 settembre), “Il vangelo secondo Ciretta” di Caroline Von der Tann (27 settembre) e “Kalavrìa” di Cristina Mantis (28 settembre).

In programma gli omaggi a protagonisti del cinema recentemente scomparsi come Salvatore Piscicelli, con la proiezione di “Vita segreta di Maria Capasso” il 26 settembre alle ore 20.30 e Gaetano Di Vaio, con “Glory Hole” di Romano Montesarchio il 28 settembre alle ore 19.

Grande cinema giovedì 26 settembre con “Juniper - Un bicchiere di Gin” di Matthew J. Saville con Charlotte Rampling, e venerdì 27 settembre con “Le Ravissement - Rapita” di Iris Kaltenbäck, che sarà presente in sala insieme all’autore delle musiche Alexandre de la Baume.

Tutti i pomeriggi alle 16.30 le proiezioni del concorso SchermoNapoli Corti: Fratelli di carne di Paola Beatrice Ortolani, Il suono del tempo di Mario Pistolese, Un natale del 1954 di Fabio Rosi, I fiori sbocciano a Napoli di Andrea La Puca e Vittoria Mengoni, L’attesa di Antonello Novellino e Antonio Quintanilla (24 settembre); Mariangela Correale: libera di volare di Elio Nubes De Filippo e Jessica Squillante, Kore di Fabiana Russo, Actos por partes di Sergio Milàn, Era ora! di Valerio Manisi (25 settembre); Api di Luca Ciriello, Due battiti di Marino Guarnieri, A piedi nudi di Luca Esposito, Ho ballato di tutto di Sarah Narducci (26 settembre); Chello ‘ncuollo / impure di Olga Torrico, Medley di Alessandro D'Ambrosi e Santa De Santis, Z.O. (zona orientale) di Loris G. Nese, Bordovasca di Giuseppe Zampella, Kvara, una storia d’amore e di calcio di Raffaele Iardino e Mario Leombruno (27 settembre).

Nella giornata di chiusura spazio alle opere fuori concorso “Il fuoco nella balena – I devoti dello Spartak San Gennaro” di Gianfranco Gallo che sarà ospite alle ore 18.15, e l’anteprima “Riverbero” di Enrico Iannaccone alle ore 21 al termine della consegna dei premi.

A decretare il vincitore le giurie composte dal regista Romano Montesarchio, dall’attore Nando Paone e dalla giornalista Ilaria Urbani per Nuovo Cinema Italia e dal regista Enrico Iannaccone, dall’attrice Antonella Stefanucci e il critico cinematografico Ignazio Senatore per SchermoNapoli Corti.

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©2024 The Hidden Review

Make A Wish Film Festival: Interview with juror Flaminia Graziadei

 

Flaminia, we know you are a terrific artist and we can see you have trained in Italy and UK for Directing, Acting, Singing, Dancing, Screenwriting and Production. After years of work experience and awards, in which expertise do you identify the most? and why?

Definitely Direction, the possibility of crafting from a page an entire audio-visual piece it’s what I’m more interested in. A lot of people, wrongly in my opinion, think that the director is mainly an executor of the script. The way I see it is that the director gives an in depth interpretation of the script through a personal vision…and style. One of my most satisfactory shorts was a proof of concept for a very interesting but completely crazy feature on the theme of Body Dysmorphic Disorder. The writer, a very skilled but unorthodox author, gave literally 1 and half pages of script, full of words but with no dialogue, based on 1 only character: basically a monologue. I created two characters out of it, one that danced. I gave her a background story that wasn’t there and developed 4 minutes piece. One of my best in my opinion.

What is the work you are most proud of and why?

Probably The Power of One Coin. It was a strong script, but again there was a lot to invent. I approached it like a feature film of short length, as it was very dense with 4 different characters..and a dog! intertwining, changing each other's life paths. I would have loved to develop it into a feature.

We can see you are a BAFTA member, what does it feel like as an Italian to be a member of such an important institution like BAFTA?

I am italian but I’m also a British citizen and as an artist I do feel more British to be honest. It’s a great recognisement. There’s a proper rather lengthy application and you have to have been selected by BAFTA qualifying Festivals with your work, on top of having won awards, for being considered. I succeeded on the second application, so not too bad! It’s nice to have access to BAFTA for work meetings or go there to work, or to benefit of the networking and screening events they organise. 

Now, as you are a jury member what moved you to be a part of the Make A Wish Film Festival?

I was asked by the organiser, who I know personally. I am always interested in being a juror and see what the new generation of filmmakers is creating.

As you are an expert in evaluating projects, what are the aspects that make a project stand out according to you?

It’s a mix of various elements. Authenticity of the message is definitely one of the most important. Then direction of both camera and especially actors. I have noticed that a lot of young directors tend to concentrate mainly on shots and camera movements, but leave the actors to themselves. that’s a big detriment in my judgment, whilst good acting is definitely a plus. At the end of the day I’ve been an actress myself for 25 years so I know what it takes to deliver a good performance. Then there is the originality of the vision of the director, the personal style that reflects in the care of the costumes, the set designing, the colour palette chosen for the photography, the little details that especially in a short contribute to create the background story. In shorts these are even more important because there’s not much time to develop the whole story. Shorts are a format on their own..

What do you wish for these projects you are evaluating?

To find a bit of the above in each of them, to go far and give their author the confidence to carry on making films. With their own pace though, without rushing. Everybody wants to make a feature, but it requires skills, consistency and a knowledge that is built up through experimenting to find your own voice. So probably this is my wish for them: find your own voice.

The festival's winners will be announced online on September 30th for the following categories: Best Short Film, Best Director, Best Actor/Actress, Best Photography, Best Sound, and Best Screenplay.

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©2024 The Hidden Review

The Make A Wish Film Festival 2024 announces the official selections at its first edition

 

This year, 20 short films have been selected and will compete at the Make A Wish Film Festival 2024. Here they are:

1. For Roy - Written and directed by Vivian Cheung

2. Leggende Rusticane - Directed by Lorenzo Muscoso

3. Bitterland - Directed by Tomesin Aderucu, Cecilia Fasciani, and Simone Romano

4. What Lies Between Us - Written and directed by Evie Rose Hiller

5. Mobnopoly - Written and directed by Alycia Potter

6. Joy - Written and directed by Manolis Levedelis

7. Obsidian Ally - Directed by Luke Flynn, written by Luke Flynn and Arjun Pala

8. The Made Player- Written and directed by Antonie Morgan

9. The Daltons - Written and directed by Nastaran Barzegar

10. Entropy Comedy - A film by Arian Navabi and Bamdad Aghajani

11. Love Is Not Love If It Changes When It Discovers Changes - Directed by Vincenzo della Corte

12. Epilogue - Written and directed by Joseph Rossi

13. Lovesick - Directed by Simone Romano, written by Giovanni Chiappini, Simone Romano, and Pasquale Smiraglia

14. The Choice - A film by Carlo Giuseppe Trematerra, written by Antonio Scardigno

15. Of Dysphoria and Blood - Written and directed by Hazel Francesca Magnoni

16. Joel's Team: FAMILY BOXING / AOTS 48 HR - Written and directed by Joel Maquera

17. The Socialists of Shoe City - By EJ Ouelette

18. I DON'T CALL MYSELF (Io non mi chiamo) - Written by Micol Mineo and Elena Pellegrini, directed by Micol Mineo

19. Cup of Cha - Written, directed, and produced by Zain Kamal Syed

20. All the Time in the World - Directed by Daniele Barbiero, screenplay by Giuseppe Paternò Raddusa

Additionally, the scripts competing this year at the Make A Wish Film Festival 2024 are:

1. What I Am - By Alycia Potter

2. Hearts & Horns - By Ragnar Griffiths

3. In Love We Trust - By Enrica Accascina

The festival's winners will be announced online on September 30th for the following categories: Best Short Film, Best Director, Best Actor/Actress, Best Photography, Best Sound, and Best Screenplay.

Follow all the latest Make A Wish Film Festival updates on social media.

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©2024 The Hidden Review

Il Make A Wish Film Festival 2024 annuncia le selezioni ufficiali

 

Quest’ anno Sono 20 i corti selezionati e in Concorso al Make A Wish Film Festival, ecco quali:

For Roy Scritto e diretto da Vivian Cheung

2. Leggende Rusticane Regia di Lorenzo Muscoso

3. Bitterland Diretto da Tomesin Aderucu, Cecilia Fasciani e Simone Romano

4. What lies between Us. Scritto e diretto da Evie Rose Hiller

5. Mobnopoly . Scritto e diretto da Alycia Potter

6. Joy . Scritto e diretto da Manolis Levedelis

7. Obsidian Ally. Diretto da Luke Flynn. Scritto da Luke Flynn e Arjun Pala

8. The Made Player. Scritto e Diretto da Antonie Morgan

9. The Daltons . Scritto e diretto da Nastaran Barzegar

10. Entropy Comedy. Un film di Arian Navabi e Bamdad Aghajani

11.Love is not love if it changes when it discovers changes. Regia di Vincenzo della Corte

12. Epilogue. Scritto e diretto da Joseph Rossi

13. Lovesick. Diretto da Simone Romano, scritto da Giovanni Chiappini, Simone Romano e Pasquale Smiraglia.

14. The Choice. Un film di Carlo Giuseppe Trematerra, scritto da Antonio Scardigno

15. Of Dypshoria and Blood Scritto e diretto da Hazel Francesca Magnoni

16. Joel's Team: FAMILY BOXING / AOTS 48 HR Scritto e Diretto da Joel Maquera

17. The Socialists of Shoe City di EJ Ouelette

18. I DON'T CALL MYSELF ( Io non mi chiamo) Scritto da Micol Mineo e Elena Pellegrini, diretto da Micol Mineo

19. Cup of Cha Scritto, diretto e prodotto da Zain Kamal Syed

20. All the time in the world regia di Daniele Barbiero. Sceneggiatura Giuseppe Paternò Raddusa.

Invece, le Sceneggiature in Concorso quest’anno al Make A Wish Film Festival sono:
What I am di Alycia Potter

2. Hearts & Horns di Ragnar Griffiths

3. In love we trust di Enrica Accascina

I vincitori del festival saranno annunciati online il 30 settembre per le seguenti categorie: miglior cortometraggio, miglior regista, miglior attore/attrice, migliore fotografia, miglior sonoro e migliore sceneggiatura.

Segui tutti gli aggiornamenti del Make A Wish Film Festival sui social media.

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©2024 The Hidden Review

Presentazione del film: "Sottocoperta" di Simona Cocozza, venerdì 13 settembre, la regista incontra gli studenti del liceo Sbordone di Napoli

 

Venerdì 13 settembre alle 11.30, nella sala audiovisivi del Liceo classico e scientifico F. Sbordone, a Napoli in Via Vecchia San Rocco 16, si terrà un incontro tra gli studenti e la regista Simona Cocozza, ex studentessa del Liceo, oggi attivista e realizzatrice di documentari, per presentare il suo primo film intitolato “SottoCoperta”, attualmente nelle sale, una favola contemporanea sull’accettazione di sé, commedia romantica che affronta con toni agrodolci i problemi della società contemporanea.

Parteciperanno all’incontro la dirigente scolastica Laura Colantonio, il presidente della III Municipalità Fabio Greco, la consigliera della III Municipalità Giuliana De Lorenzo, la regista e sceneggiatrice del film Simona Cocozza, la cosceneggiatrice e produttrice Samantha Cito e, in qualità di relatore, Marco Cocozza.

Al riguardo, Laura Colantonio: “Gli studenti del Liceo Sbordone girano il mondo, con successo, e tornano per condividere la loro esperienza con la nostra comunità scolastica, questo ha un grande valore per noi, non solo simbolico”.

L’incontro è stato organizzato dalla consigliera della III Municipalità Giuliana De Lorenzo, che afferma: “Portare Simona Cocozza nel liceo dove ha studiato è un messaggio forte per i giovani. Vogliamo far capire loro che, come lei, possono costruirsi un futuro seguendo attitudini e passioni, nonostante le sfide che incontreranno lungo il percorso”.

Entusiasta anche la regista Simona Cocozza: “Quando andavo allo Sbordone il liceo non aveva ancora un nome, si chiamava semplicemente “XI”, questo vi farà capire la mia età! Le scuole sono i luoghi dove si creano i rapporti, le amicizie e le passioni che ci accompagnano per il resto della vita, poterci tornare mi fa sentire a casa. Ci vediamo quindi venerdì per parlare, divertirci e scambiarci vita”.

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©2024 The Hidden Review

James Earl Jones, Legendary Actor and Iconic Voice of Darth Vader, Passes Away at 93

 

James Earl Jones, the legendary actor renowned for his commanding voice and enduring contributions to cinema, has passed away at the age of 93. His death marks the end of an extraordinary era in film, television, and stage acting.

A Voice That Defined Generations

James Earl Jones will forever be remembered for his unforgettable portrayal of Darth Vader in the "Star Wars" franchise. Although it was David Prowse who donned the Sith Lord's black armor, it was Jones' deep, resonant voice that brought the character to life. His delivery of iconic lines such as, "I am your father" continues to echo in popular culture, cementing his place in cinematic history.

Jones was also the voice of Mufasa in "The Lion King" (1994), another iconic character that touched the hearts of millions. His role as the wise and noble king added gravitas to the beloved Disney animated film. When "The Lion King" was remade in 2019, Jones reprised his role, a testament to his enduring impact.

A Distinguished Acting Career

Beyond his voice work, James Earl Jones was a celebrated actor with a prolific career spanning over seven decades. He made his film debut in "Dr. Strangelove" (1964) but achieved stardom with "The Great White Hope" (1970), for which he received an Academy Award nomination. His powerful performance in the film, reprising his role from the Broadway play, showcased his incredible range and intensity.

Jones’ career on stage was equally distinguished. He won two Tony Awards, the first for "The Great White Hope" in 1969 and the second for "Fences" in 1987. His contribution to theater, particularly in his portrayal of strong, complex African American characters, left an indelible mark on the art form.

Overcoming Adversity

James Earl Jones’ rise to fame is all the more remarkable given his childhood struggles with a debilitating stutter. For many years, he barely spoke, and it wasn’t until he began reading poetry aloud with the encouragement of a teacher that he found his voice. Jones would later use his experience to inspire others, becoming a symbol of resilience and perseverance.

Awards and Accolades

Jones’ talent earned him numerous accolades throughout his career. He received an Honorary Academy Award in 2011, recognizing his lifetime of achievement. Additionally, he was awarded a Grammy for Best Spoken Word Album, a Golden Globe for "The Great White Hope" and multiple Primetime Emmy Awards for his work on television.

In 1985, he was inducted into the American Theater Hall of Fame, and in 2017, he was honored with a Tony Award for Lifetime Achievement. The accolades reflected not just the breadth of his work but also the depth of his influence on generations of performers.

A Legacy That Lives On

James Earl Jones' passing marks the end of a remarkable life, but his legacy will live on in the characters he portrayed and the inspiration he provided to actors and audiences alike. His contributions to the arts and his ability to connect with people through his voice and performances make him a true legend.

As fans and colleagues mourn his loss, we remember James Earl Jones as more than just the voice behind some of the most iconic characters in film. He was a trailblazer in the industry, breaking barriers and leaving a legacy that will resonate for generations to come.

Rest in peace, James Earl Jones. Your voice may have fallen silent, but its echoes will never fade.

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©2024 The Hidden Review